According to a notification I received sometime last week and promptly forgot to open until just now, I recently celebrated–or, more accurately, failed to celebrate–the one-year anniversary of Full Ashtrays. Yes, hard as it may be to believe (or not; I probably lost your attention at “according”), it was a full year ago that I launched this blog, and once thing is certain: the intervening months have brought me no closer to any totally clear idea of “what kind of blog” I want this to be than I was when I started it last July. I took a few minutes just now to browse my archives, and the posts range from somewhat myopically personal missives concerning the mundanity of my day-to-day, to formal reviews of films and books, to cultural criticism that engages (or hopes to engage) with mainstream conversations, to lists and random ephemera. Basically, Full Ashtrays, conceived, like every idea I’ve ever had, mostly spontaneously, and probably during one of my manic phases, is something of a mixed bag.
And I’m okay with that. I don’t mind that it’s incoherent and wily and digressive, that it ambles from this to that to that other thing. Perhaps the only ambition I ever had for this thing (except, you know, that it lead and quickly to a robust readership and worldwide, Beyonce-level fame) was that it be something that represented me–as a writer mostly, but also as a person. On that count, Full Ashtrays has been a success, because guess what? I’m a fucking mixed bag, too. As a writer and as a person. The truth is, I never know which me is gonna show up. All I can do is go along with whichever one does–and hope to God it isn’t the one who likes to get drunk, wear caftans, and insult people’s children. My point is, I’m going to keep rolling with this little chronicle of my experience, as it were, this diary, this account. So look out for more thoughtful reviews and directionless ramblings and, of course, more selfies–because I really like the selfies.
Thanks for reading! As a token of my appreciation, please accept this gif of Mariah Carey getting out of the pool she just dove into from a second floor balcony because she’s a secret agent on a mission and that was absolutely the only way to escape her captors in the music video for her number one single Honey, which is actually symbolic of her still-fresh divorce from record industry bigwig Tommy Mottola, who tried his patriarchal best to squash home girl’s spirit, not to mention HER DREAMS, not to mention her RACIAL IDENTITY, and keep her in a cocoon-like stasis, but Mimi was like nah bitch I’m a motherfuckin’ butterfly. May we all have the same courage to fuck our haters and demand our freedom–and flesh-toned bikinis under our little black dresses, just in case.